two more flower soft cards

I just love using Flower Soft. It's so fun! Here are a couple more cards where I've embellished with it.


This first card was embossed with the new Floral Screen Cuttlebug A2 embossing folder. And hooray! I got it right the first time and embossed rather than debossed the card front.


For this card I partially Cuttled using the Tiny Bubbles Cuttlebug folder and then added the score lines with my Scor-It. Those are Robin's Nest dew drops embellishing that card.

All of the stamp images are by My Favorite Things, stamped using Memento ink, and colored with Prismacolor colored pencils then blended with the Goo Gone Mess-free pen. I used scalloped Nestabilities dies by Spellbinders to cut out the layers for the images, and by the way I did use the Sizzix crease pad again and it really does make using these dies more efficient if you plan to emboss after cutting.

flower-soft lilacs

Life has been busy because school starts back up here in another week. I had a fun package arrive in the mail today though, and I just had to put some of the contents to use.


This is a card that I creatively Cuttled using the new A2 Floral Screen Cuttlebug embossing folder. I did this in order to leave that unembossed area for my new lilac stamp from Flourishes. I stamped the image using Memento dye ink, then colored with Prismacolor colored pencils and blended with the Goo Gone Mess-free pen. But here's the really fun part! I then applied some glue to the lilacs and pressed Flower Soft into the glue. They're acid-free sprinkles that add really neat color and texture. Using it is much like using flock. The colors and color combinations are wonderful!


This is a close-up of the flower soft sprinkles. The sentiment is also by Flourishes, by the way. I can't wait to try using these Flower Soft sprinkles on some other projects!

creative Cuttling with new folders

This is a quick and easy card that I made using one of the newly released Cuttlebug A2 embossing folders. This one is Floral Screen. I left the center of the card front unembossed by doing a little creative Cuttling using a die cut wood frame. The stamped image and sentiment are both by Hero Arts and stamped using Memento dye ink. I colored the image using Prismacolor pencils and blended using my Goo Gone Mess-free pen.

One thing that I wanted to point out--I know I've read at a number of forums that there's a certain amount of frustration over the fact that these A2 embossing folders don't cover the entire front of the card and that this more or less forces people to use layers. I felt the same way at first, but as I've started doing more and more embossing of the card fronts themselves, I've found that I actually do like that they have a "built-in" border. Maybe you can appreciate that I didn't have to do anything to make the edges of this card look more finished. That's what I'm talking about. :-)

more Cuttlebug border fun

I made this first card using the Sizzix XL scallop card die. I embossed the top layer with one of my new Cuttlebug Just My Type embossing borders and cut out the windows using a Sizzix movers and shapers die. The stamped images and sentiment are all by Inkadinkado and stamped using Memento dye ink. I colored the images with Prismacolor pencils blended with the Goo Gone Mess-free pen. The embellishments are Prima leaves. The "berries" are faux dew drops from Michael's.

I like having fun with transparencies. I used a heavy weight transparency as my card base. The green layer was embossed with another one of the new Cuttlebug Just My Type embossing borders. The corner punch was Tonic. The toad and sentiment die cuts are both by Cuttlebug. The toad is attached by a pop dot to lend more dimension. The corner embellishments are Robin's Nest dew drops.

dropping a line, again

I made a card recently using these images and sentiment by Inkadinkado. This time I stamped them with Memento ink, colored with Prismacolor pencils, blended with my Goo Gone pen, and then gave some gloss to the bubbles with my clear Sakura Glaze pen. I made the background by spraying Perfect Resist on glossy paper, letting it dry, then swiping a Marvy blending blox inkpad over it. I removed the excess ink with a soft paper towel. I like the way it turned out, and I was able to get a look similar to using a brayer without the muss or fuss.

quickie cards

Every so often I like to do cards that are just very simple and straightforward. This morning was one of those times.

This first card was made by cutting a window out of some GCD Studios patterned cardstock using my four pane window movers and shapers Sizzix die. I then stamped the images and sentiments by My Favorite Things using Memento dye ink. I embellished with the ribbon and some of the Brides confetti flowers and added Liquid Pearl centers.


The main layer of this next card is from Memory Box Co's Sprout line. I embossed it with the Cuttlebug Birds & Swirls embossing folder and then cut a wavy window using another Sizzix movers and shapers die. The stamped images are by Hero Arts and colored with Prismacolor colored pencils and blended with the Goo Gone Mess-free pen.


This last card features the Fiskars read between the vines corner and border punch. The stamped images are all by Hero Arts and colored with Prismacolor colored pencils and the white opaque pen by Inkssentials. The flowers are Primas.


Not bad for some early Sunday morning crafting. :-)

a few cards

This is the busy time of year with the school year winding down. I hadn't really had much time to make cards, but here are a few that I managed to finish this week.

This first one is creatively Cuttled. I used a door hanger to leave the unembossed opening where I then used a modified small Cuttlebug embossing folder to add the zigzag circle with the Hero Arts sentiment stamped inside it. I used Fiskars corner edgers to embellish the layers and then added some bling.


This next card was first stamped with Hero Arts flowers and Versamark ink, then embossed using the Cuttlebug Bloom Dots embossing folder. I scalloped the bottom edge by partially running it through one of the long scalloped rectangle Megabilities dies. The other layers were made using scalloped Nestabilities dies. The sentiment is by Studio G and the penguin is by Imaginisce, colored with Prismacolor colored pencils and blended with the Goo Gone Mess-free pen. The scoring accents were made using my Scor-It.


This last card was also creatively Cuttled, again using a wooden door hanger to leave a round opening in the embossing. I used the Cuttlebug A2 Spots and Dots embossing folder. The stamped images are a mini set by Inkadinkado and stamped using Brilliance ink. The diaper was colored with the Ranger Inkssentials opaque white pen.


Can't believe that this is the first time I've posted since Monday. Feels good to get back in the swing of blogging.

a few more Cuttled cards

I seem to have a lot of Cuttled card fronts just waiting to have something done to them. I got around to doing some stamping, so I thought I'd post a few of those cards that I've finished.


This first card was made doing some diagonal Cuttling of a Cuttlebug Swiss Dots folder. The stamped flower image is by Imaginisce the sentiment is a Studio G stamp. Both were stamped using Memento dye ink and then colored with Prismacolor colored pencils blended with Goo Gone and accented with Copic Spica glitter pens. The orange border was made with the Fiskars Lacy Days of Summer border punch.


This next card was made with the Cuttlebug Swiss Dots folder. I'd partially Cuttled to leave spaces for stamping sentiments. The stamps were all by Inkadinkado and stamped with Memento ink. The scalloped circle was made using a Spellbinders petite scalloped circle Nestabilities die.


This last card was made by creative Cuttling using the Mini Mosaic Cuttlebug embossing folder. The stamped images and sentiments are by Inque Boutique, stamped using Memento dye inks, and colored with Prismacolor colored pencils. The blending was done using Goo Gone.

Ahhh, it's nice to do some crafting. :-)

Tips for diagonal scoring

Diagonal scoring can be tricky. Scoring boards like the Scor-It have a nice raised edge so that you can push your paper or cardstock flush up against it and make a nice straight score. You can't place your card flush against a raised edge when you're scoring a traditional card front diagonally though. It's also tough if your card isn't a traditional shape. I'm going to describe what I do to try to keep from having to toss too many cards into the scrap pile.

In my post about diagonal Cuttling, I mentioned that I like to set off the look of the embossed and unembossed areas of the card front. I usually do this by scoring, so that the card looks like this....


To do this, I pull out my Scor-It board and open up the card on top of it. In the photo below, I've started to line up the bottom right corner of the card front along the ridge that will make my embossed line. I like to start here because this is the easiest place to see just where to score that line--I can sort of visualize the edge of the embossing following along that metal ridge.


But, I've said it here before--why guess when you can make things a bit more foolproof? Yes, I've successfully eyed it and gotten it right, but there are three more lines to score after this first one. I needed a better plan. Okay, yes, I learned that from experience. :-)

So, here's one way to double check. I use something with two nice straight edges set at a right angle. If you've been Cuttling diagonally using those long Sizzix plates, then BINGO! You can use one of those.


In the photo above, I've placed the short edge of the clear plate flush against the raised edge at the top of my Scor-It. Sliding close to the scoring rail, I can double check where my first score line will be made compared with where my embossing starts and ends. Once I'm happy with it, I can score my line.


Here I'm just showing another option. This is a clear triangle ruler. You can use a regular ruler, too, as long as the short edge is wide enough to be stable against the raised edge of the scoring board. I also like using something clear so that I can see embossed design through it.


Here I've made the first score line and I'm getting ready to make the second one. This is where it's really nice to have a way to check the placement of your line before you make it because if it looks off, then it's rather eye-catching and not necessarily in a good way.


Here I'm basically making sure that my lines will be parallel to each other. I've placed my card over the rail where I think the next score line should go. I slide the clear plate along that raised edge at the top of my board and I make sure that the first line that I scored is still lining up parallel to the scoring rail. The rubberized texture of the board holds my card in place while the clear plate slides easily over the top of the card, so that I can move the plate back and forth from the scoring rail to my first scored line until things are lined up just right. By the way, it took me A LOT longer to write that than it does to actually just do it. :-) When I'm satisfied, I score my line.

Make all of the score lines in the same fashion and you end up with a card that can look something like this when you've finished it off with some stamping and embellishments....


The stamped swirl image is by Inkadinkado and stamped using Memento dye ink. The butterfly die cut was made using a Spellbinders die and embossed and colored with that die as well. The flowers and leaf are Primas.

If you use craft sticks to creatively Cuttle as I've described before, you can set off that embossing with score lines, too. I went through the same steps to score the following card as I did in the one I described above. You just need to tilt the card a couple of different ways because the design changes direction.

For this card I used the Cuttlebug Perfectly Paisley embossing folder and embossed using craft sticks. I set off the embossing with score lines made with my Scor-It. The stamped images are an Inkadinkado mini set and stamped using Tsukineko Memento dye ink. I colored the images with Prismacolor colored pencils and blended with my Goo Gone Mess-free pen. I accented the headlights with a Sakura clear Glaze pen.

By the way I don't have a Scor-Pal. The idea would be the same though. You'd have your card face down in this case and set at an angle on top of the board. You'd position your card so that your first score line makes a nice border between an embossed and unembossed area of your card. Depending on whether one of the other scoring grooves falls in a spot where the next line would ideally be scored, you may or may not have to move your card. If you do have to move it, a clear straight edge can help you make sure that things are lined up properly again before you make your other score lines. Hope that made sense. :-)

Megabilities & scalloped A2 card edges

If you've followed blogs and posts about Spellbinders' Nestabilities dies, chances are that you've seen Nichole Heady's short tutorial on making a card with a scalloped edge. You can read that post if you click here.

What I did this morning was use the same technique, but with a rectangular scalloped Megabilities die, to cut scallops on the long edge of a full-size A2 card. This was kinda nifty because I know that some folks have mentioned that it would be great to have a simple scalloped border punch without the holes that you get with the Threading Waters border punch by Fiskars. If you happen to have this set of dies, you're all set!

I started out with my Big Shot, a 5 1/2" X 8 1/2" piece of cardstock, and the largest die of the smaller set of scalloped rectangle Megabilities dies.


I passed the card stock through the die so that only the leading edge would be cut.


I put the top cutting plate in place and got ready to run it through the machine.


Here's how it turned out.


I used this technique to make the following cards.


This first one was made with the card stock that was pictured in the example above. I embossed the card front with the Cuttlebug Stylized Flowers embossing folder. The images are by Inkadinkado and were stamped using the new Memento dye ink by Tsukineko. I colored the images with Prismacolor colored pencils and blended with the Goo Gone Mess-free pen. I then cut out, embossed, and layered that image using Nestabilities dies.


For this card I used the scalloped Megabilities dies to make my layers. The images are all by Pink Paislee and colored using Copic markers and a Copic blender. I added the sparkle with Diamond Stickles.

As far as the new Memento inks, they were definitely fast drying. I know that they're supposed to be good for detailed stamping, but they were perhaps still a bit juicy at this stage and bled a bit on the cardstock. I'd still opt for Versafine ink for when I want to be sure to pick up really fine details. The Memento ink did work well with the Copic markers and didn't bleed. I stamped using London Fog to make the lines a bit more subtle.

Catch-all post RE: Goo Gone and Cuttling

Okay, I've fielded a few questions that had been left in comments to various posts. I thought I'd recap some of the answers and other tidbits of information here.

1. where to find the Goo Gone Mess-free pen: I found the pen at Wal-Mart. They're also supposed to be available at Publix (in Florida) from what I'd read online. I haven't seen them elsewhere. You can also buy them directly from the Goo Gone site. They're more expensive though. You can get free shipping, but you'd have to buy $35 worth of stuff.

2. Along the same lines, a couple of things worth mentioning: Sue Nelson of Heart Prints recently did her own evaluation of Goo Gone as a blending agent. She used the spray gel form and found it to be a reasonable alternative, particularly for folks with concerns about using Gamsol or other odorless mineral spirits. Now SHE is a wonderful colorer/blender when it comes to the magic colored pencil technique, so her evaluation was great to read. You can see her take by clicking here.

3. I've mentioned the Mess-free pen in particular because of its convenience--easily transportable, no stumps, no liquid. It's also been brought up that if you're worried about spills in general, the pen eliminates that concern.

4. A question about how I use the Mess-free pen because of concerns that the colors will get muddy on the tip: I just swipe the pen a few times on scratch paper to remove the color from the nib and it's ready for blending again. I'd wondered about this myself when I first tested it. I was pleasantly surprised to find out how easy it was to move from color to color without accidentally carrying it on the nib and, say, contaminating a yellow area with purple.

5. Where to find some of those wood frames that I've used with those Cuttlebug embossing folders: I didn't say anything specifically at first because I'd just been using stuff that I'd found around the house. The look of the Cuttled frames seems to be very popular though. They can be found at craft stores and hobby shops. Michael's, Hobby Lobby, and Joann's all carry this sort of thing. They're usually very inexpensive, too. Don't forget to look in the kids' sections of stores because these are often stocked there as parts of art projects for kids, particularly this time of year with Mother's Day and Father's Day coming up, as well as the end of school and the possibility of using things like this for teacher gifts.

6. Again, along the same lines as above, you can make your own frames as well. I know that some have made them out of mat board. You could cut them out of chipboard, too. Again, I was just trying to get the wheels turning. There are loads of things that you can use for Cuttling creatively.

7. On cutting the Cuttlebug embossing folders apart: When I'd modified the folders, I'd done it mainly with those smaller folders in mind. This can be done with the bigger ones, too. I can see some situations where this could be useful:

~*~ One is when you're wanting to emboss a card front that's larger than A2 size.

~*~ Another is when you want to center your embossed design on an A2 sized card front, but the folder design doesn't give you enough leeway at the top of the folder--the Swiss dots would be one example. Eliminating the hinge would let you position the design so that it's centered nicely on the card front.

~*~ One more situation is if your folder ends up breaking at that folding point. That's a major wear and tear spot on those folders. You could repair it by making a new hinge of sorts with tape, OR you could take advantage and perhaps make the folder even more versatile by placing it inside a larger transparency folder which would allow you more freedom to put the design exactly where you want it to be.

Okay. I think that covers most of the questions and comments for now. :-)

new MCP comparison

Last night I said I'd do a more formal comparison of possible blending agents for magic colored pencil. Here it is. But first, a disclaimer! I'm not a great colorer/blender to begin with, so keep that in mind when you look at these images, okay?

I stamped a Rhonna Farrer/Autumn Leaves image four times on a piece of Beckett Expressions cardstock using Archival Jet Black ink.


Next, I pulled out my Prismacolor colored pencils and tried to color each of the images similarly.


I then blended the colors of each image using one of four different blending agents: Goo Gone Mess-Free Pen, Icky Sticky Stuff Remover, Orange Plus, and Sansodor. Like last time, I used a blending stump. Well, except for with the Mess-free Pen. I've listed them alphabetically, not according to the order in which I used them.


In the above photo you can see the results of the blending phase of my experiment. I'll show you which image was colored with which agent in the following photo. Scroll down when you've had a chance to do a bit of independent and unbiased judging of the blending. Or just scroll on down.


Now again, I wanted just a bit more of a comparison. You'll notice that each image has a free flower--the one where I used blue at the center. I colored that one with a different blending agent. To keep things simple, and I do like simple, I just blended that part of the image with the agent that I'd used on its left. So, the single Orange Plus flower was blended with the Goo Gone Mess-Free Pen, the single Sansodor flower was blended with the Orange Plus, the single ISSR flower was blended with Sansodor, and the single Goo Gone flower was blended with ISSR. I hope that made sense.

Let me say now, that I'm not going to review the Goo Gone again since it's been the subject of a couple of posts here already. You can find links to those in my colored pencil sidebar menu.

The Orange Plus did move and blend the pigments, but not as well as the other three. It was also trickier to use. Too much and it tended to break down the cardstock--NOT a good thing! Too little and you had to work at it to get the color to move. There was a small window of opportunity where it worked well, but it wasn't easy to consistently use that correct amount of fluid. It also had an annoying tendency to make the stump squeak when coloring. I think I have a new, more environmentally friendly cleaner that I'll be using here in the kitchen.

The Sansodor did its job as usual. I will say that compared to the others, it definitely was the worst as far as fumes. Nothing else came close to being so... aromatic. ;-)

You can see a closer side-by-side comparison of the Sansodor and ISSR below. I didn't compare these two directly when I mentioned the ISSR before as an alternative, so here's that comparison for you. The Sansodor is upper left and the ISSR lower right.


Both worked as far as moving the pigments. The ISSR colors look a bit more vibrant in the photo. This is true in real life, too. In retrospect, I think I'd laid down a bit more color in that ISSR image to begin with though. And don't forget that the single flower in the ISSR image was blended with the Sansodor, so there's a bit more of a comparison that you can make.

My conclusions after all of this?

Orange Plus--probably a good cleaner, but not a good choice as a blending agent for MCP.

The Goo Gone Mess-free Pen was by far the simplest and easiest to use. No stumps, no dipping, no odor. I'll add here that the lack of odor does not make it safe necessarily, eh? It's still better to use this in well-ventilated areas and not hover directly over you image for long periods of time. But for ease of use, it's hard to beat the pen.

The Sansodor, like Gamsol, has been the agent of choice for this technique. These odorless mineral spirits are not completely without odor though, and despite keeping only a small amount of the stuff exposed to the air, the fumes were noticeable. Then there are the safety issues and environmental issues with those products.

The ISSR with its ability to move and blend pigments, its lack of odor, better safety profile, along with the fact that it's more environmentally friendly seems to make it the best choice, at least of these four that I tested here. I found it in a local grocery store. I'm not sure how widely available it is, though at least you don't have to order it from abroad.

Lastly I should mention that Zest-It has been used for quite a while in the UK by artists as a safer alternative to odorless mineral spirits. A year or two ago I read a discussion about folks using it but couldn't find a vendor for it here in the US. Still can't. It's a citrus zest-based product, but you'd have to order it from the UK at this point. That's still something to keep an eye out for should it become available on this side of the pond though.

Edited to add: I posted an update to this that might be worth looking at if you're interested in using Goo Gone in place of odorless mineral spirits. You can read that post HERE.

A better alternative - Icky Sticky Stuff Remover

Not too long ago, I mentioned a discussion on a stamping forum which started me thinking about possible alternatives to the odorless mineral spirits like Gamsol that are typically used for the Magic Colored Pencil technique. These chemicals are not without their hazards, particularly under conditions of prolonged exposure or for individuals with health issues. I didn't care for the alternative of using baby oil. I'd found that Goo Gone worked, but I mentioned that it still carried warnings similar to that of the odorless mineral spirits, i.e. use in well-ventilated areas. The Mess-free pen was convenient and cut down considerably on the smell, but certainly Goo Gone isn't specifically formulated for artist use, a drawback for some folks.

Today I was doing my grocery shopping and made a discovery as I pushed my cart down the aisle with household cleaners. On the shelf next to the Goo Gone was another product--this one called Icky Sticky Stuff Remover, made by the same folks (Orange-Sol) who make De-Solv-It citrus-based cleaners. What struck me about this was that the label clearly said that it would remove crayon and wax, among other things--this was good because it needs to be able to break down the wax to move the colored pencil pigments; it could be used on skin and hair--usually citrus oil-based solvents carry a warning to avoid exposure to skin because of hypersensitivity reactions; it has no harmful vapors--WOO HOO! for that; and it was artist formula--excellent. Here's a link to the Material Safety Data Sheet for Icky Sticky Stuff Remover (now a.k.a. ISSR on this blog anyway--I have to abbreviate this! LOL!). It's always good to read some of this info for yourself.

So this product sounded like it had potential, but would it work on Prismacolor colored pencils? See what you think.


This is a quickie card that I made this afternoon to try this out. I stamped the flower images by Hero Arts using Archival black ink on a Cuttlebug tag die cut. I then colored the images with my Prismacolor colored pencils and blended the colors using the ISSR and a stump. I added the fibers, layered it on purple DCWV cardstock that I embellished using a Fiskars corner edger then attached it to the cardfront. I stamped the Hero Arts sentiment and added some decorative score lines using my Scor-It.

As of now, the Icky Sticky Stuff Remover is my magic colored pencil technique "solvent" of choice. It's biodegradable and more environmentally friendly than Gamsol or Sansodor, has no vapors, is formulated for use in arts and crafts, and from what I've read is a much safer alternative to mineral spirits, plus it works. It also cost only $2.99 USD for the 4 oz bottle and is available here in the US, which is more than I can say for some of the other alternatives out there that I would have liked to try. Now I just need to find a way to replace this spray top with a regular screw top lid or dauber top. :-)

Still Cuttling cards

I'm still playing around with diagonal Cuttling. This time I thought I'd try using two different folders. Not sure that I'd go with this particular combo again, but it was an interesting change of pace.


I used the Cuttlebug Traffic Jam and Distressed Stripes folders and made my score lines using my Scor-It. The cupcake and sentiment are by Hero Arts. I colored the cupcake using a modified magic colored pencil (MCP) technique--Prismacolor pencils and a Goo Gone pen.


For this card I went back to using the Swiss Dots folder because I wanted to try embossing diagonally in two directions. This folder has a good pattern for that. So I ran my card through twice, going diagonally in two different directions and then partially Cuttled anything at the corners that had been missed. I stamped the owl from Inkadinkado in the unembossed spot and again colored it with the modified MCP technique. I stamped the sentiment by Hero Arts and embellished with some bling and a strip of metallic cardstock that I embossed using the Cuttlebug Tiny Bubbles folder.

Arrow - Wednesday Stamper

This week's challenge on the Wednesday Stamper is to work with arrows. Now, this one stumped me because I don't use arrows often. I'm not sure I can remember the last time I've used one, if ever. Here's my attempt to work arrows into a card design.


The image is from I Brake for Stamps, though I'm not sure which company. I colored it with Prismacolor colored pencils and blended with my Goo Gone Mess-Free pen instead of mineral spirits, just for fun. The wrapped arrow is grungeboard colored with pigment ink and then stamped with that same pear image. I improvised the other arrows out of beading twine. The embossing was made with the Cuttlebug Stylized Flowers embossing folder.

Goo Gone follow-up

In the interest of science, I invested $2.97, plus tax, in a Goo Gone Mess-Free Pen to test with the magic colored pencil technique. ;-) It has a chiseled tip, as you'll see in the photo. You press down on the tip a couple of times to get the flow of the Goo Gone going, and you're all set. By the way, there's little odor to this pen compared with working with the bottle of Goo Gone and a stump yesterday. And actually, I had to go back and open up the pen because I couldn't remember noticing a smell when I was coloring earlier. That's a good thing, eh? But how did it perform? I'll let you decide.


The image above is an Inkadinkado image stamped with Ranger's Archival Jet Black ink. Again, I colored the image with Prismacolor Premier colored pencils. I included the tip of the Goo Gone pen in the shot so that you can see what it looks like.


Here's the owl when I finished with it. What I did was start with the lighter colors and move toward the darker ones because I wasn't sure how easily the tip would clean off. When I finished with one color, I scribbled a bit on a scrap piece of paper to remove any color from the tip. That worked fine. What I'd originally intended to do was to color this entire image with the Goo Gone pen. I'd finished coloring part of the left side when I decided to color the other half using a stump and Sansodor for the sake of comparison. So, as you look at the photo up above, the half on your left is blended with Goo Gone, and the right half is blended with the Sansodor. The blending is comparable and I think the reason why there isn't as nice a transition between the brown and the yellow on the Goo Gone side is operator error--I'd left a bit more white space on that side because I hadn't really been planning to use this for a direct comparison. That's what happens when you're winging it. LOL!

Bottom line, the pen has little odor, blends nicely, and the making the transition from working on one color to working on another is as simple as scribbling on some scratch paper. Seems like a reasonable alternative to me, and one that may be a good one for folks who would like to color using this technique but can't tolerate some of the stronger smells associated with even the "odorless" mineral spirits. It's easier to transport than a bottle of spirits and stumps, too.

Magic Colored Pencil - an experiment and alternative?

I think by now most stampers are familiar with the Magic Colored Pencil technique in which odorless mineral spirits such as Gamsol or Sansodor can be used to blend the colors of colored pencil-colored images. The technique also makes the colors look vibrant. There is some concern about prolonged exposure to the fumes, and crafters are also always looking for alternatives. Baby oil has been proposed as a substitute, but the notion of using something oily on cardstock just isn't appealing to me, though the thought of using something more innocuous than mineral spirits would be nice. So rather than just being critical, I thought I should try to come up with an alternative.

To the drawing board! I remember reading that the success of the technique is due to the spirits breaking down the wax in the colored pencils, thus allowing the pigments to blend. Okay! This is a good place to start. Using a scientific approach, I googled stuff that would dissolve wax. There were a number of things, but I didn't want the industrial strength stuff. Um, and I wasn't interested in eliminating ear wax either. Ick. I found two cleaners that I actually had under my kitchen sink. Perfect!

Test #1: I put a few drops of each cleaner on a junk mail envelope. Both looked kinda oily starting out. This wasn't promising. I let them sit though and when I came back a little while later, one was still showing the oil slick ;-), but the other was gone. Woo hoo! I was ready to put that one to the next test.

Test #2: I pulled out my Georgia Pacific white cardstock and stamped a single image twice. To give proper credit, this is a Hero Arts stamp and I used Ranger's Archival Jet Black ink. I colored both of the images similarly, using Prismacolor Premier colored pencils.


My apologies for the somewhat poor quality of the photos. It's an overcast day here and the light kept changing. The indoor light was coming from the upper left of the image. Both flowers looked closer to identical in person.

I then pulled out my blending stump, not a tortillon, my bottle of Sansodor, and my test cleaner from under the sink.


Here are the colored images. Can you tell a difference between the two? I'm not the best colorer/blender, but really--see if you can tell a difference, and if so, which look do you prefer? The answer is in the next pic, so don't scroll until you've decided.



Yes, my cleaner from under the kitchen sink is Goo Gone. Even taking into account the fact that the light hit each a bit differently, I think the Goo Gone image showed smoother blending, though the colors of the Sansodor image were more vibrant.


Oh, and just so you know, I messed up when I was blending. I'd turned the cardstock to get to my image better and had a brain cramp moment. I accidentally colored two of the blue petals of the designated Goo Gone flower with Sansodor. OOPS! So, to be fair, I colored two of the purple petals of the Sansodor flower with Goo Gone. Hey, it's another way to compare. LOL!

Anyway, it looks like this could be an alternative to odorless mineral spirits and is something that you might already have, if you want to play with this technique. Goo Gone does carry some of the same warnings as Sansodor, that is, that it's flammable and that it should be used in well-ventilated areas. It's also not made specifically for use in art, if that makes a difference to you. Something interesting to note is that the makers of Goo Gone have just come out with a pen so that you can apply it more precisely. It's called the Goo Gone Mess-Free Pen. Google searches are so nifty! Presumably with the pen there would be less odor, too, since you wouldn't have to open up a bottle or keep dripping some of it out the top. At this point I don't think I'd switch from using Sansodor, particularly since I already have a bottle of it and it will last me a good long time, but if I come across the Goo Gone pen, I might have to pick it up and give it a try because that would certainly be less fuss and less muss. Just a thought. :-)

Edited to add: I found the Goo Gone pen. See that follow-up post: here.