thinking of you, part one

Ahhh, the urge to make some cards came on earlier. I pulled out the Making Memories Slice machine since I recently got my hands on the Studio Expressions design card and I wanted to play with it a bit. I also used some of my old stand-by techniques.

For this card I took a scrap of designer card stock and ran it through my Big Shot inside the Stampin' Up!/Sizzix Finial Press textured impressions folder. I accented the embossing with some Tuxedo Black Memento dye ink applied direct to paper and then adhered the layer to my card front. I added the score lines to my card using my Scor-it. I cut the labels using my Slice and a selection from the Studio Essentials design card, layered them and then attached them with foam tape to pop them out a bit. The stamped image is by Studio G and stamped and colored using Memento inks.

Interestingly, I'd made a second card with a similar sentiment, only in French. Sheer coincidence! I didn't even realize it until later. But I'm going to hold off on posting that one for just a bit. It ties in with something else that I'd worked on this week. Don't want to say more about that for the moment though. :-)

Now it's about time to see how Team USA will fare in hockey. I should be able to catch the 1st period before heading out on the afternoon drive to school.

a suncatcher? really?

Recently I posted about improvising with the L Letterpress plates. I remarked in the comments that these plates are not like clear polymer stamps; it had seemed to me that some folks had that mistaken impression. In trying to come up with a way to describe the texture of these plates it occurred to me that they're not that dissimilar from those plastic suncatchers that you can find in kids crafts sections of stores. I know, it's almost a sacrilegious notion, so real life printers, I ask your forgiveness and your indulgence. Turn away now. Ha! As if any real life printers would be reading. ;-)

So here's what I did....


Pictured above are my Big Shot, the multipurpose platform open to No Tabs, two clear cutting plates, a plastic suncatcher that cost me 48 cents, and a sheet of fairly thick handmade watercolor paper. The paper was torn from a tablet that I'd found on clearance at Hobby Lobby. The impression that was made by running the suncatcher through is the image at the top left. I hadn't applied any ink. The color that can be seen is some of the black that had transferred from the plastic. It's tough to appreciate, but the debossed image was really quite distinct.


And here's the card that I made using the image. I colored the design with watercolor pencils, tore around it, then mounted it on a layer of Core'dinations card stock that I'd punched using an EK Success border punch and distressed using sand paper.

Now, I'm not saying that these can be used in place of actual letterpress plates. It's just something that I did on a whim. I'd have to say though, that if I come across other fun suncatcher designs, I'd probably pick them up knowing that there's a fun way that I could use them to add a different look to my cards.

improvising with L LetterPress printing plates

L has come out with accessories for the QuicKutz Epic 6 Machine that let a crafter do home letterpress printing. Letterpress printing is basically relief printing of text or images; that is, the printed word or text is debossed--think engraved invitations. Sounded neat to me.

I did a little research. Their starter kit came with a platform, plates to which you adhere your various printing plates and attach your paper, black oil-based ink, another plate for holding ink, and a roller for rolling out that ink and applying it to the plates. It also came with some specialty paper which sounded a lot thicker than the usual card stock, even heavy weight card stocks. It was the paper that sounded like it was the key.

Well, I wasn't sure that letterpress printing was something that I really wanted to invest a lot of time or money in, so I decided to just see what the paper was like and maybe try one set of plates. I didn't buy the starter kit. I decided that I could improvise for now.

My apologies. I took these pics with my cell phone. I was in a hurry. My supplies included duct tape, Versafine ink, two clear Big Shot cutting plates, a sheet of letterpress paper, a damask printing plate and repositionable poster tape as well as a few pieces of painter's tape.

I attached the two cutting plates using the duct tape. Placed end to end as you can see above, I left a gap of about 1/4" between them. This made a hinge that allowed room for sandwiching the printing plate and paper between them. I used the straight edges of the painter's tape to mark the position of my paper.

In this photo you can see the paper placed on the plate in the foreground. The damask printing plate image has been adhered to the other plate with the poster tape.

Now, I tend to shy away from using my brayer. I just don't like dealing with having to get the ink evenly applied to it and then having to clean it up again later. I applied the ink directly onto the plate using the inkpad. It's probably not as even as it would have been had I rolled it out, but I think dealing with less mess is worth it. I used the Versafine ink because it's oil-based and because I like the detail that it picks up and the easy clean up.

I rolled the sandwich through my Big Shot using my multipurpose platform open to Tab 1. I thought it needed to be just a little tighter, so I added a shim--the Cuttlebug embossing folder backing material that I typically add. This is another time when it's best to start thin. These printing plates are made from a clear plastic that definitely feels like it could easily crack.

Here's how it looked when I opened up the sandwich. The debossing was nice and deep, but hard to appreciate just by looking, even in real life.

I thought I'd try running an uninked plate through the machine. That's the Thank You that's in the photo above.

I think the debossing is easier to appreciate now, despite the low quality of the photo.

So, this is a fun twist on traditional stamping and embossing. It's neat in that unlike the debossing that you can do with embossing folders, the back of the paper remains nice and flat. My method is admittedly full of ways in which things could go wrong. A real hinge on the plates to keep them nice and stable would be a big help. Not sure what the plates are like in the starter kit, but I've heard that there's a bit of play in them, so they don't sound quite perfect either. My poster tape method doesn't cover the entire back of the printing plate so it's possible that I'm not getting as even a deboss as if I used a sheet of adhesive over the whole thing. I'm sure that I wasn't able to apply the ink quite as evenly as I could have with a brayer. Like I said, I was willing to sacrifice that quality for this quick test. I also used a more crude method of keeping my paper in place. The starter kit comes with some paper positioners that sound sort of like rectangular pop dots. Since I was only running the image through in one color, I wasn't really worried about precise positioning. I think I could have safely used more painter's tape to hold the paper more steady without harming it though.

Bottom line? This was a fun technique to try. I think I'll definitely be using the plates for doing some debossing, inked and uninked. I haven't tried any other paper yet. Watercolor paper would be tempting. The thickness of the paper made for use with the LetterPress plates is key though. Makes a big difference and a beautiful result!

Sizzix ScoreBoard XL dies

I couldn't resist trying this new offering from Sizzix. These are similar to their other XL Bigz dies but they cut and score matboard and chipboard, with the recommended thicknesses of the board being between 0.04" and 0.055" for the best results. I thought I'd get the most use from the Memo Holder and I was excited when this die arrived in the mail yesterday.

Here's how things went....

I started with getting out my Big Shot and the extended cutting pads. I also pulled out my rotary cutter, cutting mat, ruler, and some matboard. I cut the matboard down to a size that would fit nicely through my Big Shot--this was roughly 3 3/4" wide and 18" long.

Here's the usual sandwich. It rolled easily through my machine. From the bottom up: clear cutting plate, die cutting side up, matboard, other clear cutting plate. Yes, the die will fit through the opening of the Cuttlebug, but the extended cutting plates made by Sizzix are too wide--this is the same as with the other Bigz and XL Bigz dies as noted before.

Here are all of the pieces, cut and scored.

Here it is folded along the score lines.

In this photo I wanted to show that I used adhesive Velcro dots to keep the flap closed over the 3" x 3" size Post-It note pad that I'd adhered using my ATG. I think ideally I'd use the magnetic snap closures, but I couldn't find mine. I hate it when I clean up and then I can't find stuff! LOL!

Here's the finished product. Sorry, I forgot to take a photo where the memo pad was actually showing. But the holder was made from matboard. The flowers were chipboard by DCWV and the I used self-adhesive pearls for the embellishment. The finished measurements are roughly 3 3/8" x 3 1/4" x 1/2".

This Sizzix ScoreBoard Memo Holder die worked beautifully. It cut through the matboard and chipboard without any problems at all. The scoring was perfect. It assembled very easily and the end result is that I made a very nice sturdy memo holder in a very short amount of time. I think it probably took me longest to locate all of the paraphernalia that I needed. :-) Typical.

extremely fast and easy card

I was playing with a couple of things that I'd ordered from Stampin' Up! I ended up making a card that I liked and it was so incredibly fast and easy to make that I thought I'd share it here.

Here's the card....


The embossing on the card front was made using the Elegant Bouquet A2 textured impressions folder by Sizzix/SU! That is the design of the folder--no partial or selective embossing on my part. The embossed sentiment was made using the Hi embosslit by Sizzix/SU! Since I went with white on white, it looks like the sentiment was embossed directly on the card front. It wasn't. The oval shape is a separate piece of embossed card stock that was adhered to the front. I thought it was a fun look.

So, with two passes through my Big Shot and a bit of adhesive, I ended up with a card that looks like it took a lot more time and trouble to make than it actually did. Now I'll have to see if I can do something similar with other embosslits and embossing folders. :-)

It's a special day!

You may have guessed, eh? It's IndigoInklings' 3 year blog-aversary! Yes, it was three years ago that I made my first post here on Blogger. I did it on a whim, never expecting that I'd still be at it years later. I'd started this blog as a way to keep track of cards that I made and how I'd made them. I'd never expected to gain any kind of readership, and things did start out slowly. For quite a while I posted, mainly for myself. After a while I became curious and added a counter, just to see if anyone ever stopped by. I was getting the occasional visitor and the occasional comment. Things really picked up though when I started posting cards that I'd made using Cuttlebug embossing folders in ways other than the traditional put-the-card-stock-in-the-folder-and-roll-it-through method. There was an interest in that and in reviews of tools and punches. People seemed to like the photos and step-by-step instructions for various techniques using dies, texture plates, embossing folders, brass stencils etc in the Big Shot, the Cuttlebug, the original Sizzix.

And so, here I am, three years later, still playing with die cutting machines and their accessories and making cards. I owe part of my motivation to the fact that I know that there are folks who like to come by and visit, so thank you! :-) I still do this mostly for me though. It's a way to relax and is just plain fun!

From time to time I do a recap. It feels like it's time to do that again. I'm going to approach it from the standpoint of crafting. Some of this will be obvious if you've stopped by here before. Some will be first time revelations. Hey, I had to have something new, eh? Here goes....

Die cutting machine: Big Shot, Cuttlebug, original Sizzix--I own all three. I like the Big Shot better by far. I won't get into the pros and cons since I've discussed that elsewhere. I doubt I'll be test-driving the Big Shot Express--I do too much experimenting and would probably break it. I'm passing on the QuicKutz Epic 6, too. Can't see that it offers anything that makes me want to replace my Big Shot.

Card stock: I use Georgia Pacific quite often. I like Neenah or Paper Trey when I want to use good stuff.

Inks: Memento dye inks are the first that I reach for these days. So versatile and I love the colors! I prefer Versafine when I'm really looking for fine details. Nothing beats alcohol inks for polished stone though. Stewart Superior's India Ink is my favorite black ink.

Coloring: I have a few Copics and Prismacolor markers and use them rarely. I like the look of the magic colored pencil technique, but don't use that often either. I've found that I actually don't color much if I can avoid it. LOL!

Dies: I find that when I want to make a die cut these days, I'll put out a folder of Spellbinders dies. They have so many shapes and sizes. They're versatile in that you can emboss with them or stencil with them. Can't beat the Bigz and original Sizzix dies though for cutting through stuff that's thicker than card stock. And the XL Bigz dies can make some really fun stuff. I don't use Cuttlebug dies very often.

Embossing: I like dry embossing. I think that's because I tend to be impatient. I think that's also the reason why I like embossing folders so much. Cuttlebug folders are great due to the sheer number of designs that they offer. Sizzix has the plus of covering a greater area, not to mention that they're packaged in coordinated sets. QuicKutz are similar to the C'bug folders, but I've found that there can be issues with the front and back of the folder aligning properly. Love their big border folders though! Texture plates and Fiskars are fun, so long as you know what to expect--texture, not deep crisp embossing. For the price, these folders all pack a lot of punch. They can be used in a lot of different ways. Just check out my sidebar to see! :-)

Punches: Most of the punches that I buy these days are border punches. The slim design punches by EK Success are my current favorites. Love the designs and the fact that they're more compact. That's not to say that I'm tossing out my Fiskars or Martha Stewart punches though.

Stamps: I used to be a red rubber stamper all the way. I've since unmounted all of my wood mounteds and I actually reach for clear stamps first. Again, ease of use and easy storage are big reasons. Clears and Memento inks seem made for each other, too.

Paper cutter: Making Memories paper trimmer and the 6" base Tonic guillotine cutters are what I use most often. Exacto and a ruler for thicker stuff. Tim Holtz scissors for rubber.

Scoring: I'm a long-time Scor-It user. I'll admit it. I love the look of the scores. After hearing so much about the Scor-Pal, I had to try it. Here's what I found....

In the photos, the Scor-It scored card stock is on the left and the Scor-Pal scored card stock is on the right.

Here a light source was aimed from bottom left to highlight the scoring.

To be fair, I aimed the light from bottom right this time.

The angle washed out some of the scores, so this time I aimed the light more directly from right to left.

This time the light was aimed from left to right.

To my eye, even without the extra light, the scores made using the Scor-It were more distinct and deep. Having become used to the looks of the scores made by the Scor-It over the years, the Scor-Pal scores don't quite measure up. To me it'd be similar to the difference between an image embossed using embossing folder with vs without a shim. I happen to prefer the more crisp embossing. Other folks may be fine with less crisp. I'll say that for making multiple scores that line up with the Scor-Pal lines, the embossing goes more quickly. That's an advantage. (I'm still tempted to redo those lines with my Scor-It though.) With the addition of the Scor-It ruler to the arsenal, the Scor-It definitely becomes more accurate and versatile, if still perhaps not as quick--and that has more to do with the user though, eh? I'm going with quality of score and still pull out the Scor-It. Love those fun starburst and light beam patterns! Plus I'm not much into box-making. Scor-Pal is good for that sort of thing.

Adhesives: I'm a long time ATG user, the 1/4" tape variety. I use the Scotch 714 and have never had any trouble with the gun or the adhesive. I have small hands and find it very easy to use--I only say this because its size always scares people. I'm not sure why. If you look at the handle, it's quite a manageable size--it's not like you're wrapping your hand around the entire ATG, eh? It's lightweight and balanced nicely. Can't beat the price for the amount of adhesive that you get either. It's by far the most economical and most eco-friendly to boot.

What some folks hate, and what is a disadvantage for lefties, is the fact that the tape runs along the left edge of the roller. I like that! The photo above shows what I see as I sit holding the gun with my wrist in a nice comfortable neutral position. I can see exactly where I'll be laying that tape down as I pull the gun toward me. That means that I can place the tape right along the edge of my layer and I have no trouble stopping right at the edge either.

This is a view of the Glue Glider Pro. I picked it up when it was on sale at Hobby Lobby. I'd heard so many glowing reviews that I couldn't resist trying it. Smaller and lighter. Okay. Not big selling points since I don't have size issues with the ATG. Tape unwinds toward the right edge of the roller as I've indicated above.

Okay. I tried a number of ways to try to accurately see where I'd be laying my tape down. If I leaned over the top of the Glue Glider and looked backward toward the roller, I could get a fair idea. Didn't work for a good camera shot, not to mention that it was uncomfortable. So, in the photo above, I tried to get a look from the side. Still couldn't see just where the tape was. This was also awkward as far as either having to twist my wrist or lean to the left.

Here I finally just set the roller on the card stock. I'm a bit puzzled about all of the glowing reviews. The adhesive is very good! I'm not impressed by the delivery though. More often than not, the adhesive ran off the edge or too far. Not a biggie to fold it back, but an aggravation. I like my tools to make life easier for me, not more frustrating. ATG wins easily. I like Tombow Quickie glue pen for small die cut letters etc.

As for my card, the sentiment was made using the QuicKutz String Bean border alphabet. The embossed background is the Cuttlebug Number Collage embossing folder. Both were rolled through my Big Shot. The decorative starburst scoring was made using my Scor-It and the Scor-It ruler. I used my ATG to glue everything down except for the letters--I used my Quickie glue pen for those. LOTS of my faves used in the making of that card.

That covers my recap and musings as I reflect over the past three years of blogging. Thanks to all of you who read or follow me here regularly. Thanks to those of you who've taken the time to comment, too. It's appreciated. Plus, then I don't feel so weird talking to myself. :-) To celebrate properly, I'll be hosting three giveaways. I'll make new posts for those. Seems right to have three of them, so stay tuned. I'll put the first one up when I get a chance to take some pics and get them uploaded. I think you all should get to celebrate, too! :-)

Guest Design Spot: flower pounding

Please note: this article was originally published on the Cuttlebug Challenge blog. I think enough time has passed that I'm publishing it here as well so that it can go out to my email subscribers and be linked along with my other tutorials.

Hello everyone! This is Jay from IndigoInklings dropping by for another visit this month at Maggie's request. Recently I read about a technique that was done using the Wizard by Spellbinders. It's called flower pounding. Flower pounding itself isn't new. As you might guess, it's been done using a hammer or a mallet and a nice flat solid surface. Flowers were placed atop paper and pounded to release and transfer the pigment. What was different was that this was done with less effort (and noise!) by using a die cutting machine. I decided to adapt this technique for the Cuttlebug and share it here.

Now thankfully, this time of year there are lots of flowers in my backyard. These are a few that I picked just for this project. Love the wonderful variety of shapes, textures, and colors!

What you need to have on hand for flower pounding, besides some fresh flowers, are your Cuttlebug machine and plates and some card stock or water color paper. What I did was cut the sheets in half and then fold each half in half to make a folder. There's no need to be neat about this. I know my Scor-It is in the photo, but it was there primarily to be a nice backdrop.

Here is the sandwich that I used for flower pounding: A, B, and C plates, with the flowers placed inside the folder. I've found that the side that releases most of the pigment is the face of the flower, so if you don't use a folder, then put the bloom face down onto your card stock, then cover it with a layer of scrap paper before sandwiching it and putting it through.

Here you can see that I did place the folder between the plates before rolling it through. You can also see why I used a folder. This can be a juicy project. Depending on what type of flower you use, it can be really juicy! This is why I mentioned that water color paper would also be a good option.

This is what it looked like when I opened up the folder. You can see that pigment has been transferred from these shrub rose blooms to the card stock.

This is how it looked after I peeled the flower petals etc away. Both sides of the folder are potentially usable, so that's another neat thing.

Here is the same sandwich, different flowers. These were much thinner than the first blooms. I had a shim handy, just in case it looked like the blooms needed to be squeezed harder, but I didn't need it. It's a good idea to have at least one or two of them close by though.

Again, here is the folder opened up.

And this is the design that's left once the flowers are removed. You can gently rub the flowers off with a finger. Often you can peel up an edge of a petal with a fingernail then pull it off the rest of the way. I found that using a scrap piece of card stock as a scraper worked nicely, too.

This is one more example with a Bachelor Button. I used watercolor paper for this one. I've had a lot of moisture get forced out of this type of flower before, so I learned from that!

This is one side of the outside of the folder after rolling it through.

This is the other side. I really liked the colors and the delicate look.

Here is the folder opened up. The flower was squeezed from the top then down toward the stem. This is why I also tended to place my flowers near the edge of the folder that would be going through the machine first. Think of the Cuttlebug as a wringer with all of the pigment and moisture getting squeezed out and forced along as the bloom moves between the rollers. It's much less messy to have excess folder at the trailing edge to catch all of that. Yes, as you might guess, that's the voice of experience. :-)

This is one side with the flower parts removed.

This is the other side. The amount of pigment left by the flowers can be impressive. And don't discount the stems and leaves, or the stamen and the pollen. They can all leave color, shapes, and texture behind.

This is a card made with flower pounded shrub roses. Notice the bright yellow that was transferred from the pollen. You might recognize the scalloped QuicKutz border embossing folder that I used as the background for their layer. The sentiment is by Hero Arts and was stamped using Memento dye ink.

Since the pounded Yellow Loosestrife blooms left behind an image so reminiscent of stars, I paired them with the above sentiment from The Little Prince made by Silver Crow Creations, and I added some QuicKutz die cut flourishes.

The focus of this card is that Bachelor Button "image" that was on the outside of the folder. As I said, the delicate look appealed to me and I wanted to go with something more subtle. The stamped sentiment is by Hampton Art Stamps and I added the score lines using my Scor-It.

I made this last card using one of the images made with a shrub rose bloom. I cut and embossed it using Spellbinders Nestabilities dies and layered it on top of white card stock with some decorative scoring that I again made using my Scor-It. The decorative edges were made using the Fiskars Upper Crest border punch. The sentiment is by Hero Arts and was stamped using white craft ink.

So, no tips or tricks using embossing folders this time, but I hope that I've inspired you to try a technique that doesn't get much more complicated than going outside and picking some flowers. I've found that fresh blooms work better, by the way. Again, it's that voice of experience. :-) And for those of you who are Big Shot users, or even owners of the original red Sizzix machine, click on over to my blog where I've described how to flower pound using those die cutters.

Have a good day everyone! Enjoy your weekends! And be sure to have fun checking out all of the special features that will be published on this blog in the upcoming days. :-)

art of flower pounding, using the Big Shot

Pounding flowers isn't a new concept. It's been around for a while. Using die cutting machines to pound flowers and get them to release their pigment onto paper isn't new either. I remember the old red Sizzix being great for this sort of thing, back when the original Sizzix was new, but I'd never tried it. Probably the wrong time of year or something. ;-)

So, this morning I was catching up on my Google Reader subscriptions and came across a blog post in which Spellbinders' Wizard was used to pound flowers. I had to try it. We have lots of flowers around here, and though I may not have a Wizard, I have my trusty Big Shot.


Our poker plants are blooming. So are the clematis and peonies. None of those was really right for this project. Then I remembered that my shrub rose, pictured up above, is full of blooms! These would be great! Nice color, not too big, fairly flat, also lots of them! Sorry that the sun wasn't out when I snapped my photo this morning. It looks so pretty in the bright sunlight, but we were due for rain.


Here's a close up of some of the blooms.


I plucked three candidates for my first attempt at "pounding" flowers with my Big Shot.


I trimmed the stems and placed them--hm, I guess you'd call it face down on my card stock. You can see what I mean.

I then arranged my stack as follows, from the bottom up: multipurpose platform on Tab 2, clear cutting plate, 1/2 sheet of card stock, arranged flowers, scrap text weight paper folded in half, clear cutting plate. You may or may not need to shim, depending on the size/thickness of your flowers.


This is what I got after running it through the Big Shot. There was quite a bit of pigment transferred, but you can also see where the juiciness of the flowers kinda squirted out and made a rather unsightly mess on what had been going to be my card front. This called for a change in plan. LOL!


Here is the card that I made after switching gears. The embossed background was made using the QuicKutz vines embossing folder. The rose leaves are Primas. The sentiment is by Penny Black and stamped using Memento dye ink.


Here's a close up view of the result of the flowers being pressed by my Big Shot. I like the way it turned out, even if it wasn't quite what I'd envisioned when I started. :-)

Addendum: I'll make a separate post at some point, but for Cuttlebug users, this will work in your machines, too. The stack that I used, from the bottom up, was: A plate, Cuttlebug backing shim, C plate, card stock, flowers, another sheet of card stock, B plate. As usual, you may or may not need to shim, depending on your particular machine and on the 'thickness' of the flowers you choose. Just remember not to force anything! :-)