a suncatcher? really?

Recently I posted about improvising with the L Letterpress plates. I remarked in the comments that these plates are not like clear polymer stamps; it had seemed to me that some folks had that mistaken impression. In trying to come up with a way to describe the texture of these plates it occurred to me that they're not that dissimilar from those plastic suncatchers that you can find in kids crafts sections of stores. I know, it's almost a sacrilegious notion, so real life printers, I ask your forgiveness and your indulgence. Turn away now. Ha! As if any real life printers would be reading. ;-)

So here's what I did....


Pictured above are my Big Shot, the multipurpose platform open to No Tabs, two clear cutting plates, a plastic suncatcher that cost me 48 cents, and a sheet of fairly thick handmade watercolor paper. The paper was torn from a tablet that I'd found on clearance at Hobby Lobby. The impression that was made by running the suncatcher through is the image at the top left. I hadn't applied any ink. The color that can be seen is some of the black that had transferred from the plastic. It's tough to appreciate, but the debossed image was really quite distinct.


And here's the card that I made using the image. I colored the design with watercolor pencils, tore around it, then mounted it on a layer of Core'dinations card stock that I'd punched using an EK Success border punch and distressed using sand paper.

Now, I'm not saying that these can be used in place of actual letterpress plates. It's just something that I did on a whim. I'd have to say though, that if I come across other fun suncatcher designs, I'd probably pick them up knowing that there's a fun way that I could use them to add a different look to my cards.

improvising with L LetterPress printing plates

L has come out with accessories for the QuicKutz Epic 6 Machine that let a crafter do home letterpress printing. Letterpress printing is basically relief printing of text or images; that is, the printed word or text is debossed--think engraved invitations. Sounded neat to me.

I did a little research. Their starter kit came with a platform, plates to which you adhere your various printing plates and attach your paper, black oil-based ink, another plate for holding ink, and a roller for rolling out that ink and applying it to the plates. It also came with some specialty paper which sounded a lot thicker than the usual card stock, even heavy weight card stocks. It was the paper that sounded like it was the key.

Well, I wasn't sure that letterpress printing was something that I really wanted to invest a lot of time or money in, so I decided to just see what the paper was like and maybe try one set of plates. I didn't buy the starter kit. I decided that I could improvise for now.

My apologies. I took these pics with my cell phone. I was in a hurry. My supplies included duct tape, Versafine ink, two clear Big Shot cutting plates, a sheet of letterpress paper, a damask printing plate and repositionable poster tape as well as a few pieces of painter's tape.

I attached the two cutting plates using the duct tape. Placed end to end as you can see above, I left a gap of about 1/4" between them. This made a hinge that allowed room for sandwiching the printing plate and paper between them. I used the straight edges of the painter's tape to mark the position of my paper.

In this photo you can see the paper placed on the plate in the foreground. The damask printing plate image has been adhered to the other plate with the poster tape.

Now, I tend to shy away from using my brayer. I just don't like dealing with having to get the ink evenly applied to it and then having to clean it up again later. I applied the ink directly onto the plate using the inkpad. It's probably not as even as it would have been had I rolled it out, but I think dealing with less mess is worth it. I used the Versafine ink because it's oil-based and because I like the detail that it picks up and the easy clean up.

I rolled the sandwich through my Big Shot using my multipurpose platform open to Tab 1. I thought it needed to be just a little tighter, so I added a shim--the Cuttlebug embossing folder backing material that I typically add. This is another time when it's best to start thin. These printing plates are made from a clear plastic that definitely feels like it could easily crack.

Here's how it looked when I opened up the sandwich. The debossing was nice and deep, but hard to appreciate just by looking, even in real life.

I thought I'd try running an uninked plate through the machine. That's the Thank You that's in the photo above.

I think the debossing is easier to appreciate now, despite the low quality of the photo.

So, this is a fun twist on traditional stamping and embossing. It's neat in that unlike the debossing that you can do with embossing folders, the back of the paper remains nice and flat. My method is admittedly full of ways in which things could go wrong. A real hinge on the plates to keep them nice and stable would be a big help. Not sure what the plates are like in the starter kit, but I've heard that there's a bit of play in them, so they don't sound quite perfect either. My poster tape method doesn't cover the entire back of the printing plate so it's possible that I'm not getting as even a deboss as if I used a sheet of adhesive over the whole thing. I'm sure that I wasn't able to apply the ink quite as evenly as I could have with a brayer. Like I said, I was willing to sacrifice that quality for this quick test. I also used a more crude method of keeping my paper in place. The starter kit comes with some paper positioners that sound sort of like rectangular pop dots. Since I was only running the image through in one color, I wasn't really worried about precise positioning. I think I could have safely used more painter's tape to hold the paper more steady without harming it though.

Bottom line? This was a fun technique to try. I think I'll definitely be using the plates for doing some debossing, inked and uninked. I haven't tried any other paper yet. Watercolor paper would be tempting. The thickness of the paper made for use with the LetterPress plates is key though. Makes a big difference and a beautiful result!